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Contemporary Private House, Suffolk, England

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British architect Peter Guthrie has designed the Private House project for Strom Architects. The luxury two-storey property is located in Suffolk, England.

According to the architects: “The site is located in Suffolk, in an area of outstanding natural beauty and forms part of an overall land ownership of 2.5ha surrounded by agricultural and wood land. The current site has foundations, ruins and some low walls from a house that burned down eight years ago.  There is also an existing outdoor pool. Immediately to the west of the pool and ruins, there is a small area of open grass that runs up to the edge of a beautiful copse of mature oak trees. The site is located on the edge of flood zone two and three, and requires a raised floor level 1.5m above the old cottage.

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“The clients’ brief is for a country house – ‘a dream in a wood’, a peaceful place to relax, regenerate, and think of new ideas.

“The existing site with the pool, its ruins and low walls has a very strong presence, and we wanted to keep this as an important part of the site. The design is linear and has picked up on the building form – the ‘long cottage’ – found in the nearby village, and we see the design as an evolution of this.

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“The luxury English home sits above the ruins and the edge of the pool, as to respect the current site, but also to deal with the floor level that is required, due to the potential flood risk. The building is also set like this so that it can be read on its own, and thus touch the existing site lightly. The building is orientated towards the west-south-west, and sits on an angle above the existing ruins facing the best views as well as creating a clear juxtaposition of geometry to the ruins.

“A two-storey element punctures through the roof, and contain a master bedroom suite at the first floor. This is positioned towards the existing coach house, thus minimising the impact of the building on the more open site to the south. This two-storey element is recessed from both the west and east facades as to reduce the scale and the appearance of the building.

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“The building is entered via a bridge that spans the ruins. This sets up the whole philosophy of the house, even before you actually enter, as well as successfully dealing with safe egress form the house to higher land in case of a flood.”

Images courtesy of Peter Guthrie

About

Assif is a luxury travel and design aficionado currently working as a BBC content producer. He holds an MA in journalism from the University of Leeds. He is partial to tea and cake - Yorkshire Tea Gold Blend please. His favourite trips include island hopping in the Seychelles, a mountain escape in Kashmir and getting lost in Hong Kong.

Assif is the current editor of Adelto Magazine. Follow him on Twitter and Instagram: @journolista.

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October 31, 2013 | Property | View comments

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