Former stables converted into a contemporary pad, Portugal
Lisbon-based architects and interior designers Atelier Data have designed the Sítio da Lezíria project. Completed in 2012, the converted stables can be found in Alcácer do Sal, Portugal.
According to the architects: “The intervention site is located in Alcácer do Sal, Alentejo, a region truly strategic in the country of Portugal because of its geographical, environmental and landscape features. In this area, Sado river was one of the main factors of growth due to its navigability.
“The extensive areas for the production of salt represented equally a strong economical development of the region, combined with the existing rich soil, which promoted agriculture. Agriculture is still the dominant activity of the region.
“Named ‘Sítio das Lezírias’, the extensive property (approximately 14 ha) in which the intervention takes place, an ancient agricultural area, there are two existing buildings – the manor house, and the mews, whose rehabilitation project was done by Atelier Data.
“The conversion of the mews into housing, gave us the opportunity to think about domestic space and also to test the way that people can inhabit again ancient rural areas.
“This project is the result of the first phase of a wide strategy that aims to revive an old agricultural land, combining new agricultural techniques with a new way of living.
“For the interior design we decided to use resistant and affordable materials that would fit in the logic of the new usage of the building and the old mews.
“The pavement was executed in stroked cement, which was then waxed.
“For the bathroom and cooking areas of the kitchen we chose handmade hydraulic mosaic, a very ancient Portuguese technique with beautiful geometric and colorful drawings.
“All the walls have the same finishing, also waxed micro cement, both in private, public and humid areas. Then we invited the artist João Mouro to create the murals in all washbasins with recycled materials from other old buildings.”
Images courtesy of Richard John Seymour
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